Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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VERONESE (Paolo Caliari)
The Adoration of the Magi

ID: 40398

VERONESE (Paolo Caliari) The Adoration of the Magi
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VERONESE (Paolo Caliari) The Adoration of the Magi


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VERONESE (Paolo Caliari)

Italian Mannerist Painter, ca.1528-1588  Related Paintings of VERONESE (Paolo Caliari) :. | Portrait of a Man | Mars and Venus United by Love aer | The Finding of Moses aer | Diana | The People of Myra Welcoming St. Nicholas |
Related Artists:
EVERDINGEN, Caesar van
Dutch Baroque Era Painter, 1617-167
Edward Arthur Walton
British Painter, 1860-1922 He trained at the Staatliche Kunstakademie in Desseldorf (1876-7) and Glasgow School of Art. One of the GLASGOW BOYS, he painted outdoors in the Trossachs and at Crowland, Lincs, with James Guthrie, Joseph Crawhall and George Henry. He also painted in W. Y. Macgregor's life studio in Glasgow. He joined the New English Art Club in 1887 and developed an atmospheric landscape style influenced by plein-air painting and by James McNeill Whistler with whom he was friendly during his stay in London (1894-1904); Autumn Sunshine (1884; U. Glasgow, Hunterian A.G.) is characteristic. Walton was a regular exhibitor from 1880 in both Glasgow, at the Institute of the Fine Arts, and Edinburgh, at the Royal Scottish Academy. He was elected an Associate of the Academy in 1889 and a full member in 1905, taking an active role in its affairs after moving to Edinburgh in 1904. He concentrated after c. 1885 on pastel and on watercolour, which he used notably in his Helensburgh and Kensington scenes of contemporary life. From 1915 he served as President of the Royal Scottish Water Colour Society. Oil was reserved largely for portraits in a Whistlerian style, such as the Artist's Mother.
joris Hoefnagel
Flemish Northern Renaissance Manuscript Illuminator, 1542-ca.1600,Flemish illuminator and draughtsman. He was the last of the great Flemish manuscript illuminators and the foremost topographical draughtsman of his age. His work forms a critical link between earlier manuscript illumination and ornamental design and the genre of floral still-life painting,






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